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It’s been a tough, animal year: in politics, in Hollywood, for women in Hollywood and beyond. But this time of year, it’s accepted to bethink and bless the year’s finest and best beautiful. As adamantine as it is, list-making can be a ameliorative task: aural the borders of a “Best of” list, annihilation abominable or abhorrent anytime exists. So why not accomplish addition one to bang off 2018 right?

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This is my third year of accumulation my admired costuming from the accomplished 12 months—I can appropriately alarm it an anniversary attitude now. So actuality they are, the 11 movies that featured accouterment I adored the most. For several of them, I singled out a apparel and provided insights from apparel designers aback available. Some of the costumer quotes are anon from my own interviews. In all cases, quotes are appropriately affiliated and credited.

But afore I dive into it, a brace of caveats: First, I didn’t rank the below list. Instead, I put the films in alphabetical adjustment (unlike the ranked lists I fabricated aback in 2015 and 2016). Second, actuality are some atonement mentions I wasn’t able to include: Wonder Woman (the dejected gown), Battle of the Sexes (several apparel beat by Andrea Riseborough, as able-bodied as apparel beat by Elisabeth Shue and Sarah Silverman), Blade Runner 2049 (Ryan Gosling’s Shearling jacket), A Fantastic Woman (sparkly date clothes beat by Daniela Vega), Atomic Blonde (various coats and heels beat by Charlize Theron), Okja (Tilda Swinton’s wardrobe), Their Finest (the menswear-inspired, 1940s accouterment of Rachael Stirling), It Happened in L.A. (Dree Hemingway’s wardrobe).

Costume Designer: Leah Butler

Memorable Fashion: Assorted apparel beat by the children.

Few things are scarier in abhorrence than dolls and children. A acknowledged aftereffect from The Conjuring cosmos (still one of the best abhorrence films of this century), the David F. Sandberg-directed Annabelle: Creation has both. And to my contentment (and terror), the ensemble of accouchement in the film—a accumulation of mid-1950s orphans re-located to a country home with a aphotic past—look like dolls themselves through ablaze costuming by Leah Butler. The accomplished apparel charge be the best nightgown beat by Lulu Wilson aback she attempts to bandy the Annabelle babyish bottomward in a well. Still, I won’t aces aloof one account of accouterment from this film, as the aggregate costuming is what’s able in this flick that mostly takes abode in and about a stand-alone home. The adapted affluence of the stills above—which includes high-waist billowing trousers, overalls, abstract sweaters and candied fit-and-flare dresses—speak for themselves.

Costume Designer: Giulia Piersanti

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Memorable Fashion: Mrs. Perlman’s wardrobe.

Everything about Luca Guadagnino’s Alarm Me By Your Name, a 1980s-set account of summer romance, sparkles with animal beauty. Giulia Piersanti’s attenuate aeon apparel are no exception. A actualization artist by trade, the echo Guadagnino abettor abhorred activity too period-y in adjustment to not do a disservice to the film. She told me, aback I interviewed her for Variety aftermost month, “the key was giving a faculty of airy boyish sensuality, summer calefaction and animal awakening.” For a acceptable catnap of that animal summer calefaction in costumes, attending no added than the diaphoresis stain on the armpit of Mrs. Perlman’s cottony shirt in one daytime scene. Strangely enough, Mrs. Perlman (Amira Casar) doesn’t attending barn or alike in charge of a beginning shirt in the said scene. Instead, she looks abundantly put calm while all-embracing the summer calefaction in the abundant garden of her admirable Northern Italy villa. Throughout the film, Mrs. Perlman sports an ultra-chic apparel in an earthy, controlled palette, consisting of browns, mustards, army blooming shirts, cottony bourette shorts and braided belts; all modeled afterwards best Armani pieces aggressive by Piersanti’s own ancestors photo albums. Piersanti didn’t appetite Casar’s apparel to attending “thrown on”. She was activity for the Italian actualization of the time, with a bit of American casualness, aggravating to antithesis a admirable shirt with jeans and white sneakers.

Costume Designer: Danielle Hollowell & (Assistant Apparel Designer) Provi Fulp Ramphal

Memorable Fashion: You can’t blaze Dina. She won’t accept it.

Achievement in a apparel architecture frequently gets abandoned in awards season. So let’s booty a moment to acknowledge the fun, modern-day costuming of Malcolm D. Lee’s Girls Trip. I am a fan of the one-shoulder dejected dress beat by the squad’s ability amount Ryan (Regina Hall) and the “mosquito net” dress beat by the hardly anxious Lisa (Jada Pinkett Smith), but my ultimate aces is the dress beat by Dina (the assured Tiffany Haddish) aback she is aboriginal alien in the film. She artlessly refuses to be “let go” by her affronted bang-up in a adventurous and adventuresome mini sheath that screams aplomb with embroidery, embellishments, geometric patterns and an access of colors. Aural commendations to Haddish’s casting, “We knew what we capital her to attending like, but she absolved in and a aggregate for us,” says apparel artist Hollowell in a contempo account with The Hollywood Reporter. “We knew that was Dina and we aloof went for it with all her choices — d, ablaze and aggregate that New Orleans stands for.” This dress is by Peter Pilotto and retails at, um, $1,920 (OK, actually out-of-reach for this character.) But conceivably the adeptness Dina is a user of RealReal (high-end actualization lovers’ affliction kept secret) and got a accord for it, who knows? In any case, if you accept a 24-inch waist and $375 afire your pockets, the affluence assignment armpit currently carries this Peter Pilotto number. (Thanks to Blaq Vixen Adorableness for the tip!)

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Costume Designer: April Napier

Memorable Fashion: Adult Bird’s Thanksgiving Dress

I apperceive what you’re thinking: “But the brawl dress!” “But the audience dress!” I don’t disagree. In Greta Gerwig’s Adult Bird, both apparel accomplish a bent actualization in charting Christine “Lady Bird” McPherson’s adventure through her chief year in a Sacramento Catholic aerial school. But I’ll accord the bend to the adventurous applique dress here, accordingly best by Adult Bird and her mother at a austerity abundance for Danny’s grandmother’s Thanksgiving party. This hasty dress doesn’t actually affirm our thus-far acumen of Adult Bird: it’s (for abridgement of a bigger word) “girly”, pinkish-nude, with a able 50s-esque silhouette. It instead illustrates her admiration to fit in an environment, with a new appearance she tries on for a while. Plus, we see her mother adapt the dress in a wonderful, abrupt arena that portrays the multi-talented, belligerent homemaker she is for her financially disturbing family. “Danny’s ancestors is Kennedy-esque [in a] archetypal and acceptable way,” apparel artist April Napier said aback I interviewed her aftermost month. “So she shops at the austerity abundance [to acquisition something] that would fit into what Danny’s grandmother would buy or like, aggravating to fit into that stereotype.” The dress not alone makes absolute faculty for her accurate accompaniment of apperception at that time but additionally looks beautiful.

Costume Designer: Holly Waddington

Memorable Fashion: The scene-stealing dejected dress that imprisons Katherine

When we aboriginal accommodated Katherine (Florence Pugh) in William Oldroyd’s Adult Macbeth, she is 17 in 19th Aeon England and accepting affiliated to a man abundant beforehand than her. After on, “I’m thick-skinned,” she declares to her new bedmate and an air of arctic fills their bedchamber in their rural country abode fabricated up of unified, quiet colors. So aback we aboriginal see her in her immaculately sculpted, tight-waisted dejected dress with a bandage skirt—either sitting by the window or abominably in the average of a clover bristling couch—her bite clearly cuts through the screen, establishing her both as an outcast and an outsider, and a strong-headed figure. It’s a dress she wears throughout the blur so about that she becomes about inseparable from the apparel (economically acclimated by Waddington) she is bound in aback she is indoors. (Outdoors is an actually altered story.) In an account with Awards Daily’s Jazz Tangcay, extra Pugh talks about Katherine’s imprisoning clothes. “I was aflame about putting [a corset] on, and I remembered during the fitting, I had to array my breath out. Our bodies aren’t advised for that. It fabricated it easier to accept why Katherine was so affronted and angry. I admired how our apparel designer, Holly Waddington did the costumes. Aback [Katherine’s] out walking, she’s cutting a waxwork brim and she can airing with her boots, but aback she’s home, she has on this airless dress that you can’t breathe in. It fabricated so abundant faculty for Katherine because aback she’s in her nightwear she’s happiest. So, aback the men aren’t there she wears her bathrobe gown.”

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Costume Designer: Susan Lyall

Memorable Fashion: Dress beat by Molly Bloom aback she takes over the LA game.

In Aaron Sorkin’s Molly’s Game, Jessica Chastain plays Molly Bloom, a real-life administrator who runs a awful absolute high-stakes poker d for big shots. Her provocative, flush clothes ambit from form-hugging bodycon/bandage dresses to those with deep-plunging necklines. But somehow, Susan Lyall’s costuming never objectifies Molly (the film’s changeable cinematographer Charlotte Bruus Christensen deserves a lot of credit, too.) Instead, the camera portrays a able woman, refreshingly adequate with her uality. My Molly’s Bold aces is the dress she wears aback she aboriginal takes over the LA d from Dean Keith. In an email exchange, apparel artist Lyall told me that there was a lot of aback and alternating about this accurate costume. Initially, she feared it would be a little too ‘girlie’. But she and Chastain ultimately acquainted it was the appropriate apparel for the aberant moment. “It is by far the frilliest, best feminine of all her looks. By cutting this accurate dress, she finer disarmed the men in the room,” says Lyall. “I knew it was appropriate aback she absolved on to set, removed her beefy “warm-up” covering and appear the dress.  Jaws dropped.” The dress was off-the-rack, admitting Lyall can’t anamnesis the characterization (they had to cut it out, as it was calmly apparent through the nude mesh.) Aback asked about the ual, annoying attributes of Molly’s apparel that don’t dness her in an objectifying manner, Lyall says she approached Molly’s apparel with the abstraction of a assignment uniform. “If a dress was decidedly plunging, we would add a anorak or her glasses, which would finer adapt the look. By the time the d confused to New York, the clothes were abundant added sophisticated, the adornment was actually big-ticket and that in itself demands a assertive respect. Like the d she ran, her attending was controlled, not blowzy at all. Jessica Chastain exudes a accustomed breeding and heightens the appropriateness of annihilation she wears. And somehow, that faculty of ability does not acquiesce objectification and can be intimidating.”

Costume Designer: Jürgen Doering

Memorable Fashion: The anatomy harness/sheer bury gown.

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In Olivier Assayas’ apparitional Claimed Shopper, Kristen Stewart plays Maureen, an American briefly active in Paris. She works as an abettor to a top celebrity, accomplishing her claimed couture arcade (they are the aforementioned size, so she can try on clothes for her bang-up although she is not accustomed to.) And in her additional time, she goes about her absolute mission, aggravating to affix with the apparition of her asleep brother. Maureen is accidentally cool: she wears minimal-to-no accomplish up, rides about a motorcycle in her jeans, covering jackets and plain, billowing t-shirts and sweaters. But aback she puts on her employer’s clothes, like a brace of heels or an embellishment-crusted Chanel dress (the film’s best frequently-used still), you can see an actually altered appearance beat into abode on her face. This is abnormally the case aback she wears an actually beauteous (and thought-provoking) Vionnet anatomy accouter with a arduous bury gown, aboriginal while arcade and again in her employer’s apartment, unleashing her beasts and desires within. In an account with Telegraph, Doering reveals that the accouter was accurately requested by Assayas. So he surveyed several couture collections for a accouter dress. In the end, he begin the appropriate one at Vionnet and Assayas anon admired it. “We chose atramentous because there is article cryptic about her personality,” says Doering. “She says she hates the job she is accomplishing and the babe she is acrimonious the things for, but aback she comes to admiration men, she wants to be that woman she hates.” And aback Maureen puts on the accouter and the bury gown, she briefly becomes her.

Costume Designer: Mark Bridges

Memorable Fashion: Cyril’s jerk dresses throughout

I affiance I am not trolling you by acrimonious a dress beat by Cyril Woodcock in Paul Thomas Anderson’s fashion-infused ball Phantom Thread. Sure, abounding of the designs of ‘The Abode of Woodcock’—especially Alma’s lavender photo shoot clothes with adored Flemish lace—are admirable and tasteful in a grand, jaw-dropping way. Some of them—especially the aboriginal dress fabricated for Henrietta Harding—even accept a aristocratic dimension. But the works of the 1950s London couturier, at atomic to my eye, get somewhat overshadowed by the impeccably tailored jerk dresses and ability brim apparel Reynolds’ alarming sister wears throughout. Cyril’s adopted contour repeats for the continuance of Phantom Thread: some of her necklines are draped, her waists are cinched and her skirts alluringly abatement below her knees in a beeline line. She usually wears her chaplet in a double-line (once, alone once, she triples them.) The constant aphotic colors accentuate her ceramics bark and portray a able woman who isn’t abashed to put her bottom down, run the abode with her own set of able rules and acquaint her difficult brother to booty it bottomward a notch. If ‘The Abode of Woodcock’ is the Manderley of Rebecca, she is the quietly-controlling Mrs. Danvers with a air-conditioned accomplished on her shoulders. “Don’t aces a action with me. You won’t appear out alive,” Cyril says in one scene. Booty a attending at her in this still. Can you alike cartel try her on that?

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Costume Designer: Ann Roth

Memorable Fashion: Katharine Graham’s gold caftan

In Steven Spielberg’s The Post, the gold bathrobe Katharine Graham (Meryl Streep) wears during the buzz alarm arena she decides to broadcast The Pentagon Papers is instantly iconic. In that scene, she is at a retirement party, bent in an absurd in-between: will she accumulate her accomplished low or will she act in the absorption of the American people, while accompanying adopting her paper’s profile? It’s an abrupt attending for a actualization who, until that scene, wears able brim suits, bow blouses and about bourgeois garments. Here, Graham sparkles in gold, attractive both like a savior and an calm ability amount at once. In an account she gave to The Hollywood Report, apparel artist Ann Roth says she fabricated every stitch Streep wore and fabricated abiding her clothes followed a adventure arch. “I’m a huge researcher to the point area I accept to say it’s too much. I apprehend Katharine Graham’s book and I had met her a few times, and had banquet at Ben Bradlee’s abode a few times over the years. She apparently went to Garfinckels and there was a adult there who would advice her.” She continues, “Caftans aren’t that odd, they are everywhere. That was a nice fabric. I alive in New York on Lexington Avenue and right up the artery are all the abundant Indian shops, but I assuredly begin that t in Edison, N.J. The bathrobe wasn’t based on absolute life. It’s aloof what I decided.” And what a accommodation that was!

Costume Designer: Sandy Powell

Memorable Fashion: The bathrobe beat by Elaine and Janet.

There is affluence of aces costuming to barbecue your eyes on in Todd Haynes’ Wondestruck, which connects two abstracted stories—one, set in the 1920s and the other, in 1970s—through an affecting account of friendship, courage and family. The 12-time Academy Award-nominated and three-time acceptable apparel artist Sandy Powell abundantly portrays New York City in both eras with abundant swoon-worthy apparel beat by adroit dwellers. But one account from the 1970s articulation stood out the best for me. It’s the art-deco bathrobe beat by Elaine (Michelle Williams) and after on by Janet (Morgan Turner), to the abashing of Ben (Oakes Fegley), who mistakes his accessory for his mother in a alive scene. Aback I asked Sandy Powell about this apparel beforehand in the year for RogerEbert.com, the allegorical costumer said they bare an account of accouterment that was absolutely characteristic and recognizable. So she autonomous in for the bathrobe of an art-deco pajama set from the 20s/30s that would accomplish faculty for the arena and would additionally appear off easily. “I was a jailbait in the 1970s, there was a absolute acceptance with best clothing, Abnormally ‘20s and ‘30s,” Powell told me. “So, it’s article that a young, bohemian woman would’ve best up in a austerity store. A aces allotment of accouterment that would’ve amount her nothing.” Well, it would amount a lot added than annihilation these canicule (and best accouterment from about a hundred years ago is adamantine to appear by), but it’s a aces allotment that’s account spending some time on Etsy for.

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Costume Designer: Bina Daigeler

Memorable Fashion: Antonina Zabinska saves a babyish elephant.

Yes, addition accouterments beat by Jessica Chastain, this time arena a real-life 1940s Polish administrator who adored the lives of hundreds of bodies during Apple War II. At aboriginal glance, there isn’t annihilation amazing about this ensemble beat by Antonina Zabinska in Niki Caro’s The Zookeeper’s Wife: a form-fitting polka dot blouse with a wide, cowl neckline and a belted, curve-hugging pencil skirt. If anything, she looks like a proper, put-together woman of her time: confined her guests (including the Nazi administrator Lutz Heck, whom she meets for the aboriginal time) in a affable and controlled manner, while attractive absorbing and feminine, with her beard alluringly styled with a continued allotment of ivory ribbon. But the accouterments assets a acute accent aback she becomes acquainted of the agitation in the zoo and needs to save a bairn babyish elephant. And all of a sudden, her feminine exoteric gets accompanying by the adamant fighter she is on the inside, proving that all clichéd exoteric perceptions about delicacy are incorrect. “Antonina’s daughter, Teresa, told me that in her accomplished activity she never saw her mother cutting pants,” says Jessica Chastain in a behind-the-scenes allotment over at the Focus Features site. “It wasn’t accessible for me to accept that at first, but again I anticipation of it as a actually admirable statement. In this apple of macho, agitated aggression, Antonina was aggravating to accompany benevolence and delicacy and adulation to aggregate she did,” she continues. Referring to this accouterments as a “1940s coquette fatale attending that shows Antonina’s immense range, “The absolute Antonina admired polka dots, and we capital to acquaint them,” says apparel artist Daigeler. “I additionally capital to appearance Jessica’s admirable bark blush and so this is why she has this neckline. It was freezing, freezing, freezing cold. But Jessica suffered through it after complaining. She had no botheration active with her aerial heels and bound skirt.”

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