Home and architecture biographer advertisement on interiors, decluttering, acclimation and entertaining
Pum Lefebure wears mostly atramentous and white because, she says, “it’s apple-pie and simple, around-the-clock and cool chic.”
For the aforementioned reasons, the arch artistic administrator of Architecture Army, a clear architecture and branding firm, sticks with a agnate action in the Brookland home she shares with husband, Jake, Architecture Army’s arch executive, and daughter, Sophie, 14. Their aerial four-level, 5,000-square-foot custom abode is apple-pie and minimalist, a admixture of old and new, austere and playful.
It’s partially a acknowledgment to the Lefebures’ assignment life, which is abounding of bright beheld belief and branding campaigns for high-profile clients. (A contempo abbreviate blur produced for CityCenterDC featured Washington Ballet dancers dressed in boundless neon apparel and dresses.)
“I accord with blush all day long; our assignment is so bright that at home I appetite a apple-pie palette,” says Pum, 43, a built-in of Thailand.
Jake and Pum assignment as a aggregation 24/7. In the appointment and at home, he’s the activated business guy, and she takes the advance on design.
“Some couples abstracted assignment and home, but for us it’s about amalgam them and aggregate them and authoritative abiding our abode is at atomic visually abstracted from work,” Pum says. They recharge from their accelerated workdays in calm and quiet.
“With atramentous and white, you can’t go wrong,” says Jake, 45. “It’s timeless. You can bandy out things. Even our Christmas timberline is atramentous and white.” So is Luna, their French bulldog.
Pum and Jake’s affecting abode in Northeast Washington, breadth they accept lived aback 2014, was advised by Flat Twenty Seven Architecture. A “floating” animate access bottomward the average connects the floors; a aback bank of about absolute bottle allows lots of light. Inside, Pum formed with Washington autogenous artist Darryl Carter, a affiliated spirit and adolescent risk-taker who shares Pum’s adulation of old paintings, Paris flea bazaar finds, well-edited apartment and aloof palettes. The interiors are corrective white; Benjamin Moore’s Bonifant White was activated afterwards Carter had the walls coated with a textured accomplishment to add character. Herringbone floors are decrepit ebony.
“Pum gravitates against things that are actual high-style,” Carter says. “It’s actual European the way she gathers the things that address to her.” Despite the two-color policy, there are attenuate splashes of added hues, such as the anemic blush in Pum’s top attic appointment and the chicken in Jake’s den on the lower level.
The interiors are abounding of able juxtapositions: avant-garde and antique, adequate and everyday, bland and textured. Take the attainable shelving in the kitchen ample with all-white dishes: alabaster Astier de Villatte platters handmade in Paris alloyed with unglazed off-the-rack Crate and Barrel Mercer plates. The active allowance has an Usona bank carved from a block of cedar, a chrism and white cowhide rug and two 1950s accoutrement bung chairs advised by Brazilian artist Paulo Mendes da Rocha. In the bedfellow room, a brace of 19th-century Austrian beds in a white corrective accomplishment are set off by a alloyed recycled-leather rug from Garnet Hill.
“At home, I appetite that aloof feeling,” Pum says. “I had the abstraction that I capital modern, but not a absolutely algid look.” The abode has lots of old French portraits as able-bodied as adventurous expressionist paintings, and metal a lighting alloyed with adventurous aged European beam accessories and sconces, some lit by candles. Pum campaign abundantly for work; she loves arcade wherever she is, abnormally in France.
The Lefebures met in 1996 at a architecture flat and affiliated in 2001. Two years later, they started Architecture Army, which now has a agents of 21, an appointment in the H Street aisle and audience including PepsiCo, the Ritz Carlton, Adobe and Marriott International.
In 2005, they begin a 1926 American Foursquare in Brookland, a quiet adjacency not too far from their appointment and Sophie’s school. The abode was beat out, and they knew they would absolutely acclimate it in a few years, as account permitted. Jake began gutting it himself on weekends, but they anon accomplished it would be better, and cheaper, to alpha over. In 2010, Flat Twenty Seven agape it bottomward to the foundation and began architecture a abode to bigger clothing the family’s needs.
“It’s actual able in its account and actual abundant like they are. . . . They are actual assured in their opinions on architecture and what is the aspect of an abstraction and what is fluff,” says John K. Burke, an artist and co-founder of Flat Twenty Seven.
Burke advised a avant-garde bluff to abduction the capacity and calibration of the aboriginal 1926 house, including a ample advanced balustrade with advanced stairs and a hip roof. With crumbling parents in mind, the basement akin — which has a bedfellow room, abounding bath, laundry allowance and Jake’s den — has added doors and showers and sinks attainable to wheelchairs. The capital attic is a vast, attainable amplitude with a kitchen, dining and active area, additional a crumb room. The additional attic has Jake and Pum’s bedroom, Sophie’s bedroom, a bedfellow allowance and two abounding baths. The top attic is a light-filled attic apartment Pum’s office, an art and abstraction bend for Sophie, and a half-bath.
“Jake and Pum never stop working. It was important that the abode reflect that lifestyle,” Burke says. “There has to be the adeptness to be artistic in any room, whether assignment or play.”
Jake does best of the cooking, and he capital a apple-pie and simple kitchen amplitude with a big adverse (a 15-foot amplitude of white marble) so the ancestors can accumulate round. Nearby is an 11-foot-long table advised by Carter from 100-year-old oak, big abundant for Sophie to do appointment or lay out a project. “That table is the assumption centermost of the house,” says Carter, who started alive with the Lefebures on the interiors in 2013.
Upstairs, anniversary bedchamber evokes a altered feeling. The adept bedchamber has a affectionate of medieval vibe, with a admirable bed amidst by adequate hangings of gray clover on the central and white linen and absolute on the outside. “I capital a awning bed, so I can aing the curtains. I feel like I’m in a tent,” Pum says.
Sophie has fabricated her bedchamber her own, stringing lights about her bed, accoutrement her walls with her assets and growing a row of succulents in her brilliant window.
The top attic is Pum’s world. Allotment appointment and allotment art flat (and casual mother-daughter hangout), the amplitude is bathed in ablaze and looks out over the trees. “Yes, it’s a little added changeable here,” says Pum, who added a few anemic blush accents to the room. She burns a Buly 1803 Generaux d’Empire ambrosial candle on the 19th-century partner’s-style library table, corrective in a atramentous appearance finish, that serves as her desk. She pins photos and account to a moodboard on the wall.
Three floors bottomward is Jake’s den (they argument anniversary other). It’s a abode to chill, and there’s a nice big exclusive daybed with nailhead trim advised by Carter. “Pum best it out, and I laid bottomward on it to accomplish abiding it was comfortable,” Jake says. There are two saffron clover midcentury avant-garde chairs by Augusto Bozzi and a 19th-century painting, all Pum finds from France.
The abode is yet addition accord for the plugged-in couple, who aloof opened At Yolk, a 10,000-square-foot arts amplitude in Hyattsville’s barn district.
“Our abode is apple-pie and minimal, but awful abundant — like acceptable design,” Jake says. “What makes Pum and I so accordant — and our abode — is that we both accept affection for acceptable design. We ability disagree on a lot of things, but acceptable architecture is never arguable.”
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