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Neon Vancouver/Ugly Vancouver

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Museum of Vancouver, 1100 Chestnut

Oct. 13 to Aug. 12, 2012

$12, $10 acceptance and seniors, $8 youth

Info: www.museumofvancouver.ca

VANCOUVER — Hootie the Owl is continued gone from his old branch at 41st and Granville. But he lives afresh in a new affectation at the Building of Vancouver.

And how.

Designed in 1953 for Owl Drugs, Hootie is one of the best antic neon signs larboard from Vancouver’s neon aureate age in the ’40s and ’50s.

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Hootie isn’t aloof sitting there cat-and-mouse for commodity to happen, he’s sprinting bottomward the artery with a amalgamation of drugs beneath his wing. He makes absolutely a sight, because he’s dressed up like a Scotsman.

That’s right, Hootie is a Scottish owl.

“He’s cutting a kilt, which I anticipate is declared to affect aplomb that the drugs he delivers will be the appropriate ones,” action the museum’s Joan Seidl.

“But his eyes are bug-eyed. He looks like he’s crazed.”

Indeed. Hootie is cutting a red neon kilt with blooming neon socks and red neon shoes, a dejected neon vest, a dejected neon bonnet, a red neon pompom and a white neon sporran (pouch). Hootie additionally has a chicken neon head, chicken neon eyes, a chicken neon nose, and white neon wings.

Just in case you don’t get the message, “We deliver” is accounting in white neon calligraphy on either ancillary of the neon owl. Which would accept been adamantine to ignore, aback in the day — the assurance is about six anxiety tall, and 18 anxiety wide.

It’s adamantine to brainstorm commodity as funny and colourful as Hootie would agitated people, but that’s absolutely what happened in the 1960s and ’70s. Today we may anticipate he’s a hoot, but to some bodies in the ’60s, Hootie was far too blatant and commercial.

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The altercation afflicted up by neon is the focus of the museum’s new exhibit, Neon Vancouver/Ugly Vancouver.

Twenty-three neon signs from the museum’s accumulating accept been dusted off and put on display. There are big signs for the Drake Hotel, Agnew Diamonds and Regent Tailors, baby signs for Palm Dairies and Williams Piano, a tabletop assurance for the Star Weekly and a accomplished agglomeration of bearding window signs announcement aggregate from steaks and chops to woodworking.

Displayed adjoin atramentous walls in a addition aloof off the museum’s access at 1100 Chestnut, the signs attending ablaze and d. Which is one of the affidavit anti-blight crusaders including above burghal councillor Warnett Kennedy railed adjoin neon.

“There is a acclaimed Warnett Kennedy adduce about how Vancouver is a burghal in nature, and the burghal should not be in nature, attributes should be in the city,” said neon signs able John Atkin.

“It’s absolutely the aboriginal time that this idea, about an anti-urban idea, took authority in Vancouver … [the idea] that we should pay added absorption to the mountains, and the trees, and not accept a vibrant, agitative beheld city, because that got in the way of nature. That’s absolutely the alpha of the blame of neon.”

Kennedy’s cause was best up by the Community Arts Council.

“They beatific a columnist out in 1961 to booty photographs of acceptable and bad signage in Vancouver,” says Seidl. “Then starting in 1961, about on an anniversary basis, they approached burghal board about it.”

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Newspaper columnists chimed in.

“We’re actuality led by the adenoids into a abominable boscage of signs,” wrote Tom Ardies in a 1966 Vancouver Sun adventure accent “Let’s deathwatch up from our neon nightmare.”

“They’re outsized, outlandish, and outrageous. They’re agnostic our buildings, abashing our streets, and — this is the final abuse — blocking our appearance of some of the greatest accomplishments in the world.”

This was absolutely a change in attitude, accustomed that for decades The Sun had one of Vancouver’s better and best-known “neon spectaculars,” behemothic red lightning ts that zapped out of the Sun assurance on the roof of the Sun Tower.

But aback the Sun larboard its architecture at Pender and Beatty for new address at Sixth and Granville, the assurance was gonged. As were best of the 19,000 neon signs that already casting their afterglow over Vancouver’s abetment streets; Today, alone a scattering of best neon signs remain.

The afterlife bell for Vancouver neon was a 1974 bylaw that acutely belted signage.

“There are actual complicated formulas that accept to do with the allotment of your bluff which can be adherent to signage, and how big your name can be, and no third-party advertising,” explains Seidl. “And if it projects [over the street], it can alone activity so much. So big bulging neon signs, that was the big no-no.”

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The burghal has airy its action on neon in contempo years, consistent in several new neon signs in the Granville ball district. It has alike encouraged bringing aback neon to the celebrated core: there are behemothic neon signs for the Pennsylvania and Rainier hotels on Hastings and Carrall streets.

The building helped accompany neon aback into appearance with a big appearance in 1999. It appearance several neon signs in its abiding displays, including the Smilin’ Buddha Cabaret sign, which appearance a neon Buddha with a bouncing belly.The Buddha was donated by bedrock bandage 54-40, which had best it up a few years afterwards the abominable Hastings Artery bar closed. Many of the added signs on affectation were calm by “lighting activist” Ralf Kelman, who salvaged them aback they came bottomward in the ’70s, again assertive above building babysitter Rob Watt to alpha a neon collection.

The new affectation offers the masses a adventitious to get up aing and claimed with the signs, which about were afraid aerial over the street. Attending closely, and you can see that the Annette’s Dress Salon assurance acclimated to acquaint commodity abroad — neon companies generally reused the metal “can” abetment that the neon was absorbed into.

Seidl gets a acceptable cackle out of the red, dejected and blooming S. Bowell and Sons Burial Directors sign.

“Where does this affection for announcement burial homes in neon appear from?” she laughs.

“What is this insanity? Are you activity to actuation buy a funeral? Are you activity to see the assurance and — screeeeecchhhhh! — cull over?”

One of the best absorbing signs isn’t lit up. The Dejected Hawkeye Café assurance was donated by developer Marc Williams aback he was about to activate annihilation of the above Hastings Artery landmark.

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What’s air-conditioned about the Dejected Hawkeye is that they larboard it as is, achromatic and chipping and attractive absolutely weather-beaten.

“We capital to appearance one of the signs as it came from the street,” says Seidl. “The Dejected Hawkeye is the advantageous winner.”

Up close, you can see how big the Dejected Hawkeye assurance was (this allotment is six anxiety tall, but there’s addition allotment not on display), and that it was double-sided.

You can additionally see how the neon was strung through holes in the metal can backing, and that they corrective images on the can to serve as a accomplishments for the neon.

In this case, a rather angry dejected hawkeye swoops down, which Seidl finds a bit unsettling.

“The hawkeye is scary,” she says with a laugh.

“I don’t apperceive why you’d anytime appetite to go area he was aerial over the advanced door.”

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