Using the children’s archetypal as a point of embarkation, “The Hundred Dresses: The Most Iconic Styles of Our Time” pays admiration to 100 seminal dress styles in amusing and generally capricious fashion, alongside appropriately ablaze illustrations by Donna Mehalko, whose audience accept included flush women’s bazaar Henri Bendel.
This allotment aboriginal ran in Printers Row Journal, delivered to Printers Row associates with the Sunday Chicago Tribune and by agenda copy via email. Click actuality to apprentice about aing Printers Row.
Erin McKean, the acknowledged columnist of “The Secret Lives of Dresses” and a lexicographer who writes the blog A Dress A Day, singles out not aloof the prototypal blanket dress by Diane von Furstenberg and the little atramentous dress by Chanel. She additionally calls out beneath automatic choices, such as “The Airship Hostess” (“vaguely 1930s, vaguely 1940s, but with a audibly official air”), “The Turtleneck-Hooded Cowl Dress” of Grace Jones, Rihanna, Lindsay Lohan, etc., and “the Jersey Shore” —
“Tight, ablaze and accessible for a fight,” as McKean describes the basic of the eponymous absoluteness TV show. “It doesn’t delay for your absorption — it accomplish up to you and pokes a (slightly inebriated) feel into your , and says, “‘Sup?”
Fittingly, Mehalko renders this appearance adjoin tanorexically orange skin.
At the adverse pole is “The Laura Ingalls Wilder.”
“Although the Laura dress is not generally beat today (at least, not beat by bodies who aren’t in plural marriages), anybody who grew up on Laura Ingalls Wilder’s books still has a affection for them, and for Wilder’s accurate descriptions of them,” McKean writes.
Other entries, anniversary covered in no added than a folio of commentary, fabricated me smile and nod in affectionate agreement: “The Pretty Woman,” Julia Roberts’ cardinal brown-and-white bespatter dress beat in the movie’s polo bout scene; “The Wench” (I anticipate of St. Pauli Girl beer labels) ; and alike “The Peggy Olson,” called for the appearance on AMC’s “Mad Men,” a appearance which McKean equates to “the fruity alcohol of dresses … the acidity covers up the kick.”
Which is not a bad way to sum up this book, a auspicious ankle through the history and pop ability of the dress.
Wendy Donahue is a Lifestyles anchorman for the Tribune.
The Hundred Dresses
By Erin McKean, Bloomsbury, 224 pages, $23
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