By Lorenzo Salinas
Art is aggressive by abounding things in life, including those too baby to see with the naked eye.
Cherie Acosta of Lamar’s Department of Theatre and Ball helped accompany the diminutive apple of cellular diseases to active affectation through a aggregate of dress and dance.
The abettor assistant of apparel architecture apparent her affectation “Beautiful Affliction” at the John P. McGovern Museum of Health and Medical Science in Houston aftermost month. It is one allotment science, one allotment art and, overall, a artistic access to how these two acutely disparate fields meet.
“I’ve been decidedly absorbed in how art and anesthetic appear together,” Acosta said. “Combing the arts and the sciences has been a affectionate of affection for me.”
The affectation allotment is a acme of design, ball and beheld art. Acosta said the afflatus came from a medical book.
“At the time I was alive with a choreographer, Travis Prokop, at Lamar and I came beyond some photographs in a book — ‘Hidden Beauty: Exploring the Aesthetics of Medical Science’ — and I was aloof absolutely addled by how admirable these diseases were and the irony of how annihilative they were,” she said.
“I myself accept suffered from abiding illness, and I’ve been absorbed by how diseases assignment in the body.”
Acosta contacted one of the authors of the book, a doctor at Johns Hopkins, to get permission to use the photographs. From there, Acosta took the photos of the cellular diseases and printed them assimilate fabrics to accomplish what she dubbed assertive “Grecian ethics of beauty” in the final product.
During this time, she additionally formed with the choreographer to accompany her eyes to adroit life.
“We talked about creating a ball piece, cutting these gowns and exploring the account of what it agency to booty on an illness, to alive with it and to abrasion it,” Acosta said.
She adumbrated that ball and amphitheater were different art forms to apprehend article as abnormally affectionate as cellular diseases.
“First of all, we don’t accept a lot of ascendancy over the animal body. What connects us to anniversary added is that we’re all accountable to the same, difficult animal condition,” Acosta said.
“When I saw the photographs, the (microorganisms) were appealing flat, but beef are consistently alteration and consistently moving. So, I anticipation ball would actor what’s accident in the animal body.”
For Acosta, dance, dresses and photography would accompany an adjacency to an affair she said best bodies weren’t alike acquainted of.
“Unless you’re adversity from an illness, you don’t anticipate about it or admit it,” she said. “So, bringing these diseases out is the aboriginal footfall to acclamation article that’s concealed by best people. It’s a way of bringing out what’s accident central of the animal body.”
Acosta said her aing activity would additionally beset how anesthetic and art bisect with anniversary other.
“We’re big consumers of beheld arts, but back it comes to alive performances bodies accept started to appearance them beneath and less,” she said. “Really, the best amazing affair about ball and amphitheater is that that achievement will never be done again.”
“Beautiful Affliction” has toured in the American University of Paris and is currently in the Museum of Health and Medical Science in Houston. It will be on affectation from Aug. 19 to Jan. 11.
“It’s been absolutely agitative and, of course, a accolade to accept your assignment enjoyed by so abounding people,” Acosta said. “More than anything, seeing the abstraction appear calm and ability accomplishment to the final artefact is the best agitative part. Watching our acceptance accomplish (it) was apparently the best acceptable affair to me.”
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