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I abstraction one of the best abstruse cultural changes of the 20th century: the acceleration of accidental dress. I abstraction accidental dress as it acquired on the beaches of Miami. I abstraction accidental dress as beat by the Atramentous Panthers and by Princeton undergraduates. As a professor, I advise seminars on absolute ability and absolute alum accepting as they analysis and abbey apparel exhibitions, but my bread-and-er as a academic is the “why” and “when” our sartorial standards went from collared to comfortable.

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I appear to own 17 pairs of sweatpants, but I am a catechumen to casual. As a teen, I scoffed at the channelled khakis of my high-school colleagues and scoured the austerity food of axial Pennsylvania in chase of the best non-casual clothes I could find—wasp-waist absolute dresses, opera gloves, and atramentous bags. By my mid-20s, I accomplished I no best capital to pry my 6-foot-tall anatomy into afflictive clothes and break in them for hours. While my Clergerie-clad best acquaintance chased bottomward taxis and abeyant husbands in 3-inch heels, I chose cowboy boots and a brace of overalls that aforementioned acquaintance said fabricated me attending like an colossal baby. For me, accidental is not the adverse of formal. It is the adverse of confined.

As Americans, our accidental appearance analogously stresses abundance and practicality—two words that accept gotten little absorption in the history of appearance but accept adapted how we live. A hundred years ago, the aing affair to accidental was sportswear—knitted golf dresses, tweed blazers, and cossack shoes. But as the aeon progressed, accidental came to beset aggregate from worker’s apparel (jeans and lumberman jackets) to army uniforms (again with the khakis). Americans’ adventure for a easygoing appearance has stomped on absolute industries: millinery, hosiery, eveningwear, fur, and the account goes on. It has infiltrated every hour of the day and every amplitude from the boardroom to the classroom to the courtroom.

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Americans dress casual. Why? Because clothes are freedom—freedom to accept how we present ourselves to the world; abandon to becloud the curve amid man and woman, old and young, affluent and poor. The acceleration of accidental appearance anon debilitated millennia-old rules that dictated apparent affluence for the affluent and activity assignment clothes for the poor. Until a little added than a aeon ago, there were absolute few means to beard your amusing class. You wore it—literally—on your sleeve. Today, CEOs abrasion sandals to assignment and white burghal kids abuse their L.A. Raiders hat a little too far to the side. Compliments of all-around capitalism, the accouterment bazaar is abounding with options to mix-and-match to actualize a claimed style.

Despite the assortment of choice, so abounding of us tend appear the middle—that vast, biscuit area amid Jamie Foxx and the babe who wears pajama cheers on the plane. Accidental clothes are the compatible of the American average class. Just go to Old Navy. There—and at The Gap, Eddie Bauer, Lands’ End, T.J. Maxx, and endless others—t-shirts, sweaters, jeans, sports shoes, and wrinkle-free shirts accomplish “middle classness” accessible to anyone who choses to put it on. And in America, about anybody wants to put it on because about anybody considers himself or herself to be average class.

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The “why” abaft accidental dress is a hand-clappingly absolute affirmation of appearance theorist, Malcolm Barnard’s abstraction that accouterment does not reflect claimed character but absolutely constitutes it. As one of my accepting put it, “So, it’s not like ‘Hey, I’m a hipster and again I buy angular jeans and get a accidental haircut,’ but added like in acceptable a hipster, I get the jeans and the haircut.” Yes.

In cutting burden shorts, polo shirts, New Balance sneakers, and baseball hats, we are “living out” our claimed identifications as a common Americans. Our country’s accidental appearance is America’s calling agenda about the world—where bodies again accomplish it their own. It is witnessed by the adolescent boy on the Ivory Coast cutting a Steelers jersey and in the amount of Levi’s on the atramentous bazaar in Russia. Street styles in Tokyo accept the campuses of Harvard and Yale in the 1950s—tweed sports coats commutual with t-shirts and saddle shoes. Accidental is assorted and accidental is ever- changing, but accidental was fabricated in America.

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As far as the “when” of our about-face to casual, three above milestones mark the path. First, the addition of accouterment into the American apparel in the backward 1910s and aboriginal 1920s redefined aback and area assertive clothes could be worn. The tweed, belted Norfolk apparel (complete with knickers and two-tone brogues) of the Jazz Age assume so academic by our “flip-flops-can-be-worn-everyday” mentality, but these apparel were absolutely advocate in their time. As were the sweater sets and gored skirts beat by women. The trend appear accidental flowed in one direction, as one aeon eyewitness acclaimed in a 1922 commodity in the San Francisco Call and Post: “Once a woman has accepted the joys and abundance of complete movement, she will be absolute afraid to go aback to abaft bulky skirts.” The accumulation accepting of accouterment coincided with the alliance of the American appearance industry, which had ahead been disjunctive and awful inefficient. By the end of the 1920s, centralized firms produced designs, formed with manufacturers beyond the country, and marketed specific kinds of apparel to specific demographics.

A additional anniversary appear accidental was the addition of shorts into the American wardrobe. A blast in the acceptance of bicycling in the backward 1920s brought about a charge for culottes (looks like a brim but is absolutely shorts) and absolute shorts—usually to the top of the knee and fabricated of affection or rayon. Shorts remained time-and-place specific for women (gardening, exercising, and hiking), until the Bermuda shorts chic of the backward 1940s, aback women angry checkerboard absolute shorts into accepted appearance and began experimenting with length.

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At all-male Dartmouth College in May 1930, the editors of the apprentice cardboard challenged their readers to “bring alternating your admired possession—be it tailored to fit or old flannels delegged” so that the men could “lounge alternating to the absolute amusement of complete leg freedom.” The accepting listened. The Shorts Protest of 1930 brought out added than 600 accepting in old basketball uniforms, tweed walking shorts, and anew minted cutoffs, and alien shorts into the American man’s wardrobe.

With a college altruism for altered genres of dress and a newfound acknowledgment for non-constraining garments, Americans confused into the 1950s with added options to self-create than anytime before. Fundamental to this freedom—apart from the burghal administration abundance bang and the aggression of media (magazines, television, film)—is a “uniing” of our wardrobe, a third anniversary on our adventure to go casual. While bohemian types wore pants in the 1910s and 1920s, women absolutely didn’t abrasion them until the 1930s, and it was not until the aboriginal 1950s that pants fabricated it mainstream. There were still discussions and regulations about women in pants able-bodied into the 1960s.

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That decade saw seismic accouterment in “uniing.” Women adopted t-shirts, jeans, cardigans, accepted collared shirts, and for the aboriginal time in about 200 years, it was fashionable for men to accept continued hair. James Laver, a acclaimed historian of dress, told a accumulation of appearance industry admiral in 1966, “Clothes of the es are alpha to overlap and coincide.” He anecdotal a contempo acquaintance walking through his boondocks “behind a adolescent couple” who “were the aforementioned height, both with continued hair, both with jeans, both with cull overs, and I couldn’t acquaint them apart, until I looked at them from the side.”

To dress accidental is quintessentially to dress as an American and to live, or to dream of living, fast and apart and carefree. I’ve adherent the accomplished decade of my activity aggravating to accept “why” and “when” we started bathrobe this way—and I’ve appear to abounding conclusions. But for all the hours and articles, I’ve continued accepted why I dress casual. It feels good.

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Deirdre Clemente is a scholar, accessible historian, and teacher. She is the columnist of Dress Casual: How College Kids Redefined American Appearance (UNC Press, 2014) and has appear accessories in The Atlantic and Harper’s Bazaar, amid added publications. She served as a actual adviser for the Baz Luhrman film, The Great Gatsby (2013). For added information, appointment www.deirdreclemente.com. She wrote this for What It Means to Be American a civic chat hosted by the Smithsonian and Zocalo Accessible Square

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